biography
Paolo Nicolai, born in Carrara in 1971, began his artistic journey after studying at Liceo Classico and later at the University of Florence's School of Architecture.
In recent years, Nicolai's artistic evolution has become the main focus, resulting in captivating sculptural creations. This evolution is characterized by a strong emphasis on three-dimensionality, blending classical architectural elements with dynamic, sinuous surfaces. These surfaces alternate between softness and roughness, giving voice to recycled materials.
For Nicolai, plastic represents a modern-day equivalent of marble, symbolizing a new form of permanence that will outlast generations. He sees plastic as a material with limitless possibilities in terms of form and color, allowing for the creation of unpredictable and visually striking outcomes. His sculptures, reminiscent of classical antiquity yet with a contemporary twist, reflect his belief in the enduring nature of classical forms and their ability to transcend time and trends.
Inspired by artists like Damien Hirst and Igor Mitoraj, Nicolai's creative process begins with the subject itself, whether it's a deity, athlete, or priest. He carefully selects plastics to give identity and color to his creations, envisioning them as archaeological fragments of the future. Nicolai's sculptures, with their eroded, shattered, and slabbed appearance, evoke a sense of timelessness and serve as a commentary on the enduring nature of plastic and its long degradation times.
Nicolai's artistic process is a harmonious blend of art history and craftsmanship, where he oversees every stage of a work's creation. From collecting discarded plastic to mixing it with epodissic resin for molding, Nicolai sees each piece of "waste material" as a new creative opportunity, destined to become a lasting work of art that transcends generations. With a deep reverence for classical forms and a commitment to sustainability, Nicolai's art represents a compelling fusion of tradition and innovation, inviting viewers to reconsider their perceptions of both materiality and time.
