Collin Sekajugo at 1-54 art fair, London, UK

From 14 to 17 October, 2021

Ugandan-Rwandese artist, Collin Sekajugo will be participating in the nineth edition of  1-54, the first leading international art fair dedicated to contemporary art from Africa and its diaspora. Founded by Touria El Glaoui, the fair has held annual editions in London since 2013, New York since 2015 and Marrakech since 2018. Drawing reference to the fifty-four countries that constitute the African continent, 1-54 is a sustainable and dynamic platform that is engaged in contemporary dialogue and exchange. 

 

The fair will be presenting work from 48, leading international galleries from 23 countries across Europe, Africa and North America: Angola, Belgium, Brazil, Ivory Coast, Egypt, France, Germany, Ghana, Italy, Kenya, Morocco, Netherlands, Nigeria, Senegal, South Africa, Switzerland, Uganda, the United Kingdom and the United States. Among the exhibitors this year are 20 galleries from Africa, a record number of galleries from the continent, and of the 48 exhibitors, 14 galleries will be welcomed to the London fair for the first time. We are excited to showcase the work of more than 150 emerging and established artists, working in a wide variety of mediums and from a range of geographical backgrounds.

 

The fair will be accompanied by 1-54 Forum, an extensive programme of artist talks, panels, screenings, performances and readings that will be curated by Dr. Omar Kholeif, Director of Collections and Senior Curator at Sharjah Art Foundation, and will take place both online and at Somerset House. Entitled Continental Drift, 1-54 Forum will gather artists and audiences; mediators and narrators, to collectively delve into themes of legacy, philanthropy, and digitality. Exploring this interstitial moment in history, 1-54 Forum explores the concept of the drift as a moment for gradual reflection.

 

Additionally, as part of the programme of 1-54 Special Projects, the fair will once again be partnering with Christie’s to present an exhibition at the Duke Street space curated by art historian and art critic Christine Eyene.

 

 

 

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October 2, 2021