The largest painting of the exhibition carries the phrase everything endlessly, stretching across the canvas like an incantation. Horses, birds, foliage, and a body of water form a scene of abundance and repetition, an infinite loop of becoming. The horse nested in the heart anchors the painting in tenderness, suggesting that even within constant change there is a center that holds, carrying transformation forward without end. The work resists finality, instead it circles, expands, and insists that transformation is never singular but continuous, always unfolding without end.